Somewhat surprisingly not all DAWs offer MP3 export, so check your user manual. Some are better than others, but most use the standard LAME encoder. We’ll do a whole other post on MFiT (Mastered for iTunes) and distributing on iTunes very soon.Įach is different in terms of creating lossy formats. It’s native to most of our computers (even PC users these days) but it converts by default to AAC, so make sure to either read up on AAC or change your preferences to create a MP3. You can use the App to convert your tracks on your computer. Here are some tools of the trade to help you in your endeavors: Try scaling back your compression if it sounds over-hyped. Does your track sound good on Soundcloud? If not go back to the mix and make headroom. Listen back to your track objectively in the format that your audience will hear. Think of the encoding as part of your mastering chain.Here’s a post we slaved over that explains headroom simply and clearly. 160kbps is what is technically considered high-res MP3, but we recommend 320kbps for best outcome. Incorporate headroom into your mixing practice.The effectiveness of all these tips pretty much go out the window if you don’t have enough headroom.Make sure to upload a WAV in an HD video (720p and higher will encode your audio at 384kbps) otherwise your audience will be stuck listening to low quality 128kbps streaming. If you are uploading your track to YouTube (it is a very powerful platform for seeding your stuff).Double encoding can make for some very awful sounds such as swooshy aliasing, clipping, as well as loss of center and punch. Fortunately they keep your uncompressed files for purchased downloads. They will make a 128kpbs MP3 version of your track for streaming. Use a high quality file (WAV or AIFF) to avoid transcoding (the undoing and redoing of MP3 encoding) or encoding twice when uploading to sites like Soundcloud or Bandcamp. Consider where your track is going to be hosted and act accordingly. In plain english, reduce your master fader by 1.0dB. Reducing the output ceiling will reduce the number of intersample peaks that can cause audible clipping when converting to MP3. This is probably the best way to make an audible difference when encoding your track.
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